the aim of performing works composed for a combination of the mentioned instruments.
At first glance, this combination of kamāncheh I, kamāncheh II, a qeychak, and a bass qeychak apparently brings to mind – at least from the point of view of sound register and range – its similarity to its western version (the classical quartet). Although this analogy is not totally out of place, it is clear that the special features of these stringed bow Persian instruments – including timber, performance techniques, etc – all signify a major difference between these two types. Surely, the method of composition and arrangement of the works composed for the ensemble can affect the extent to which it, deliberately or inadvertently, resembles or diverges from the classical quartet.
One of the most important aims and concerns of Chārgān is to achieve a premium group performance by paying special regard to the basic principles of performance besides constant and effective rehearsals.
Since its formation up to the present, Chārgān has held five concerts in Tehran and has participated in the production of a number of albums as well as a number of theme songs. The ensemble is going to release its independent album in the near future.
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Chārgān welcomes composers who write music for the mentioned combination of instruments.
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In order to know about the technical competence of Chārgān, you can visit the page named “About Us” on this website before composition.
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We recommended that you watch and listen to some excerpts from the performances delivered by Chārgān on the “Gallery” page of this website.
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If you require further technical information, you can contact us at …, or via e-mail at ………..
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You can send the score of your work in PDF format to our address, ………
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While Chārgān has great respect for the composers and their creations, it considers itself at liberty to include or exclude the compositions from its repertory depending on the band’s goals and planning.